Thanks, Javin, for organizing this!
In general, we liked the coming-of-age film, portraying Allen Ginsberg, Jack Kerouac, William Burroughs, and Lucien Carr. But Dominic and Aaron questioned the uneven style of the film: Dominic blamed the unevenness on the lighting, switching between a TV style and film, while Aaron thought the style was too “instagram-like,” with random, meaningless tilt-shift. Sharad said the film was fictionalized. Daniel found that the narrative wasn’t strong and was random. Like Daniel, Javin found the film was character-driven and could be more interesting if we were given perspectives from other characters. Javin also wanted a detailed explanation of the murder.
1. Desire: Daniel and Dominic noted what Eve Sedgwick called the “triangulation of desire,” in which the desires between two men were mediated by a woman, such as the blowjob in the library, and Jack Kerouac’s wife.
1b. Sexuality: Dominic noted the importance of sexuality in the Beat poets’ works. Daniel asked who the gay characters are. Perhaps they were all gay, bi, or straight. They seemed experimental, as like their works to break the mould, to kill the darlings of their literary ancestors.
2. Homophobia? While we thought the characters were portrayed negatively, they were also portrayed honestly, and in this sense, there was no homophobia. But the montage depicting the pit-bottom of the characters–Ginsberg’s anal sex with random stranger, Carr’s murder of David, Burroughs’ abuse of substance, and death of Kerouac’s friend–linked anal sex with other negative acts. “Is this scene homophobic?” Aaron asked. There were no easy answers, but Daniel noted that Ginsberg picked up a stranger who looked like Carr. Sharad observed that all four scenes involved penetration of some kind, and Dominic expanded, saying the penetration, the act of breaking skin represented breaking boundaries.
3. Failure: Daniel argued that the film suggested that to fail a person was to allow space for growth. Such as Ginsberg’ dad failing the mother, allowing her to grow; Ginsberg failing Carr, allowing his growth. Failure was neither positive nor negative.
4. Suicide. Perhaps linked with the theme of failure. The cat in oven was a reminder of Lucien’s failed attempted suicide to gas himself.
1. Lucien Carr: A fascinating character whose talent, Dominic said, laid in his manipulation. Because Carr had no literary talent. Sharad noted that Carr was complex because he manipulated others but needed them, couldn’t give them up. Daniel found that Lucien Carr was portrayed as a typical closet case that couldn’t come to terms with his sexuality. Whether Carr had loved Ginsberg or not was implied but not explicit.
1. Lucien Drowning David: A haunting and beautiful scene that suggested baptism and pieta.
2. David & Ginsberg: David was what Ginsberg might have become if he didn’t let Carr go. They were foils of each other.
Overall, there are many reasons to love this film. Javin had his favorite intense scenes. Daniel liked that the film gave an insight of homosexuality at that time. The film motivated Sharad and Dominic to read the Beat poets. Aaron thought it was a very tight, well-constructed film, very likable, toeing the line between commercial success and art.