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Book Discussion: Ann Bannon – Odd Girl Out

Zoe, Raj, and Aaron discussed Ann Bannon’s Odd Girl Out, which is the second bestselling paperback in 1957. We discussed about the significance of the title, and how the three women, Emily, Beth, and Laura, are “odd” in their own ways.

Emily is a strong, loyal, independent friend who doesn’t deserve her ending. (Actually what is her ending? we pondered.)

Beth is sexually ambiguous. She is portrayed as a butch, attractive to both men and women, but she refuses to make any decisions about her life until the end. Although she is a “leader,” she is not a good friend to Emily, not advising her to stay away from Budd.

Regarding Laura: We questioned about the stereotypes of a possessive, jealous lesbian. We also talked about the circumstances of portraying a lesbian in the 50s: it was prohibited to have a happy ending for LGBTQ. But Bannon circumvented the censorship law by creating a strong and independent character in Laura, although how Laura grows out of her moroseness and morbidity is not clearly shown.

The character development of Laura is one of the many plot holes we found in the novel. Who sabotages Emily’s double stitching of bra? What happens to Emily in the end? How come the perspectives in the novel shift suddenly? These are some of the narrative weaknesses in the novel.

However, it’s refreshing to see a positive male character (Charlie) in a lesbian novel, a rare sighting among the lesbian novels we have read so far.

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Filed under Ann Bannon, Classics, Lesbian, USA

Book Discussion: Homosexualities, Muslim Culture, and Modernity by Momin Rahman 

Attendees: Veronika, Jon Gary, Alexis, Pey, Colin, Edwina, Jun, Hui Qing (?), Raj, and Aaron.

Awesome discussion.

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Filed under Academic, Politics, Queer, Religion

Movie Discussion: The Handmaiden (2016) by Park Chan-Wook


Juan, Anne, Yisheng, and Aaron showed up for the screening. We discussed the ambivalence towards lesbianism depicted in the film. It’s generally a positive portrayal although the sex scenes appear to be fetishized for a male heterosexual audience. While the film inherited this flaw from the book, we wondered why there is no positive portrayal of men. We also talked about the colonial period the film is set in and if the director is making a statement about Korea. Finally, we discussed the film technique, camera movements, and the prevalence of green color in the film. I guess green is the warmest color for Park.

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Filed under Colonialism, Lesbian, Love, Post-Colonialism, South Korea

Discussion: Larry Kramer’s FAGGOTS (1978)

urlA cozy, intimate discussion between Timmy and Aaron, like when the book club first started.

We discussed about:
-the run-on, stream-of-consciousness sentence structure.

-whether it’s dated (Timmy said parts are, Aaron thinks it’s refreshing).

-the sex: there are all kinds of sex, they can initially be sexy but eventually become farcical and comedic. It also seems like the sex acts define the person; we remember the character by recalling what sex acts he engages in. Sex is also separated from love, but it is also sex without shame.

-characters are doubles of each other, no distinct personality (Winnie and Timmy, Wyatt and Bon Bon, etc). They become one-dimensional, commercialized images, but there is also an insistence on the body.

-the issue of gay men with their fathers.

-although the gay men seem to be in  living hell,  the ending is a silver lining with Fred Lemish having a epiphany of what he wants.

Timmy concluded that although he didn’t like the book, he urged everyone to read it once as an initiation into the gay world.

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Filed under Class, Classics, Family, Gay, Larry Kramer, Love, USA

Kapoor and Sons at DYMK 

Attendees: Veronika, Raj, Aaron, Ben, Bien, Thomas. 

We all like the movie very much. All characters are likeable; it’s a movie full of likeable and strong characters, a sympathetic portrayal of all of them. There is much joy and humor in the film, just as there is sadness, as if the director wants the viewers to cry; there is so much sadness that you are bound to identify with one of the character’s plight. We also talked about social class; the treatment and affirmation of sexuality; the feminism; and who is cuter: Arjun or Rahul? 

Thanks Edwin for hosting us at DYMK. 

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Filed under Class, Family, Food, Gay, India, Love

Discussion: Alison Bechdel’s The Essential Dykes to Watch Out For 


Veronika wrote: 

I really like the comics I dipped into. The way she captures every day politicising in the slice of life format is compelling for busy adults… I like the sustained way she did comic too! It’s not easy to create an appealing comic strip that panders exclusively to adult tastes. I mean, I usually associate comic strips to anthropomorphic animals or hyperbolic characters so at first flip it took a while for me to get used to reading unusually dense language for comic strips. I kinda see why XKCD strips the artwork to stick figures now, cause the dialogue is the focal point. For this, there were times when I felt a little too overwhelmed at the cramped drawings and dense text in the comics. Aaron did point me to a rather poignantly done comic strip in 2004 following the 9/11 event, and it was nice to see the art carry the weight of the message for once. I agreed with Aaron’s point that he finds the depiction of the fat or non-standard beautiful characters interesting. It adds to the raw, Real feel of the comics. Aaron thinks it is problematic that the text itself while promoting diversity, fails the inverse Bechdel test. However, I personally don’t think it’s problematic.


Aaron wrote: 

These are some of the discussion questions that I have prepared: 

1. In our discussion on Fun Home, we didn’t like the narcissistic nature of the graphic novel. In the introduction of DTWOF, Bechdel confided that she submitted a manuscript of a novel to Adrienne Rich. Rich rejected to publish  the novel because she, like us, found the storytelling narcissistic. But DTWOF comes in episodes, not a whole coherent narrative. Do you think DTWOF is narcissistic too? Or does the episodic form make the comics more inclusive and universal? 

2. The Bechdel Test originated from DTWOF. Think of your favorite movie and apply it to the test. Do you think the test is accurate or reliable? 

Now apply the inverse to DTWOF. Are there more than 2 male characters interacting with each other, talking about nonsexual topics? How are men generally portrayed in DTWOF?

3. In this interview, why did Bechdel feel uncomfortable about her characters being role models? 

4. In the same interview, she stated that she stopped DTWOF after more than a decade because it was no longer profitable. Does this affect the artistic integrity or the advocacy element of the comics for you? 

Also you may want to relate it to the characters in the comics who stick to their principles and those who don’t. 

5. In the interview, what is the “homosexual agenda” according to Bechdel? How is it reflected in her comics? 

6. Bechdel is constantly worrying about the homogenization of the world because big corporations are taking over the world. How does she negotiate that in her comics? 

7. What are some of the things that shock you in the comics? If you’re a gay man, what is the difference between the lesbian scene and the gay? 

8. Bechdel prides herself for being a feminist, which to her also means being antiestablishment. Is there a contradiction publishing things to make money?

9. Fat studies / disabled lesbians. Discuss. 

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Filed under Alison Bechdel, Class, Disability, Family, Graphic Novel, HIV/AIDS, Lesbian, Love

Socials #2: Come and Makan With Us


Date: 3 Sept, 7.30pm. 

Location: Blk 29 Marine Cresecents 

Details: We are meeting for a lighthearted takeout night at Veronika’s place and then heading to the beach with drinks under the starry night, laughing to the beat of the waves… Romantic, no? 😉 

For dinner, wear a piece of jewelry that reminds you of a film/actor/book/character/author/director. Not compulsory, but fun. 

This is NOT a book discussion. It’s a quarterly event when we hang out and have fun. 

Interested parties, please leave your email in the comments and we will get back to you. (We won’t publish the comments so only we know your email.)

Link: https://www.facebook.com/events/1647099982284535/?ti=icl

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