2. Yisa kicked off the discussion asking if transvestites would be offended reading the book. We talked about how the book doesn’t differentiate between transsexuals, transgenders and transvestites.
3. Appending to Yisa’s question, Aaron asked if this book is offensive to women (misogynist), as the murderer has to be a beautiful woman who is “over-reaching” for power and money. That is, why does a woman who wants power have to be punished? Aaron claimed that the wise, old Nimet, Faruk’s wife, acts an excuse for the author to say that “Hey! see, I have a good woman character too, so you can’t accuse me of misogyny.” But Nimet plays the virtuous, domestic, supportive wife, giving an example of how women should behave in an Islamic society. Isaac liked the book too much and disagreed with Aaron.
4. Aaron asked if the book sensationalizes Turkey. Yisa replied that this certainly isn’t a tourist guidebook. But Aaron insisted that there are all kinds of sex in the book, making the book sensational and in a part, the author contradicts himself as he said that the nameless narrator isn’t interested in boys yet s/he has an orgy with some schoolboys in uniform. This led to a discussion on paedophilia and how one character in the book argues that while girls can become wives and mothers at 13, why is it that when he has sex with a 14 y/o boy, people call him a pederast?
5. Disability: Pugnacious Aaron thought that it was nice to include a disabled character (Kemal), why does Kemal have to pay for sex? Why isn’t he capable of looking for ONS himself? Why doesn’t the nameless narrator sleep with him? Does the narrator despise him? Why must Kemal engage in SM, and like to be whipped, as if he were ashamed of his own disability?
6. FAT: Aaron asked why is the nameless narrator’s fat good friend, Ponpon, asexual? Timmy said that there is another character who is fat and has sex. Like-to-win Aaron said, But that character is curvy and curvy is not fat. Why is it that for all the subversive elements in the book, Aaron asked, the book is oddly conservative regarding women, fat people and the disabled? Yisa said he doesn’t care what the author is saying about fat people, women and disabled. Isaac was increasingly irritated at Aaron’s finicky political-rectitude.
7. Subversive because the narrator doesn’t have a “core” gender self, so the book is not essentializing.
8. Narrative Style: (a) Aaron asked how come the author didn’t allow the narrator to progress by allow the narrator to shed tears in the end? Isaac said maybe the author isn’t very good. (b) Yisa disliked the emo beginning of the book but Aaron said that it was stated in the book that no other books or movies have depressive people and that’s what the author wants to portray, although Aaron also thinks that the author doesn’t read enough because there are books with depressive people.
9. Gay Bashing: Yisa deciphered what the gay bashing incident is about.
10. Happy Ending: We all agreed that the book is really deeper than it seems but we had to get our alcohol early. When we were at DYMK, the uncle said that we were skiving, closing the library so early.